
The closing shot of The Searchers is the most famous and influential shot in the Western genre, as John Wayne is framed to perpetual loneliness by the rectangle of a door frame. The Power of the Dog updates the shot very early on into a triptych one: Benedict Cumberbatch’s Phil Burbank prowls between the frame…
Seth MacFarlane’s second effort as director is a disappointment, with a valuable cast being wasted on an unfunny script that is mostly devoid of any real intellect.